考博英语阅读理解若干篇篇章与问题 7

OneofthenovelsbythetalentedPaulBowles，LetItComeDown，isfullofmotion，fullofsensationaldepravities，andisacrashingbore。Thebookrecognizesnoevil，andiscoldlyindifferenttothemoralbehaviorofitscharacters。Itisalongshrug。Suchaviewoflifeisnon－dramaticandnegatesthevitalessenceofdrama。
41。Inourage，accordingtotheauthor，astandpointoftentakenintheareaofethicsisthe_____。
A）relativisticviewofmoralsB）greaterconcernwithreligion
C）emphasisonevilD）greaterconcernwithuniversals
42。Theauthorbelievesthatingreatliterature，asinlife，goodandevilare____
A）relativeB）unimportant
C）constantlyinconflictD）dramaticallyneutralized
43。Whentheauthorusestheexpression"itisalongshrug"inreferringtoBowles’sbook，he
iscommentingonthe___
A）lengthofthenovel
B）indifferencetothemoralbehaviorofthecharacters
C）monotonyofthestory
D）sensationaldepravitiesofthebook
44。Intheopinionoftheauthor，Cry，TheBelovedCountryisagreatanddramaticnovelbe－
causeofPaton’s____。
A）insightintohumanbehavior
B）behavioristicbeliefs
C）treatmentofgoodandevilasabstractions
D）willingnesstomakemoraljudgments
45。Theword"shun"inthe1stsentenceinparagraph3isclosestinmeaningto______。
A）shutB）attendC）showD）avoid

Passage10
African－Americanfilmmakersshouldbeinanenviableposition，forsincetheearly1990s
therehasbeenasteadywaveoflowbudgetblackfilmswhichhaveturnedasolidprofitdueto
averystrongresponseintheAfrican－Americancommunityandalargercrossoveraudiencethan
anticipated。Anyrationalbusinessmanagerwouldnowidentifythissectorasaprimecandidate
forexpansion，butifthefilmshavedonesowellwithlimitedproductionandmarketingcosts，
whyhavetheynotreceivedfullscalesupport7
Manyanalystsfeelthebusinessisengulfedinamiasmaofself－servingandself－fulfillingmythsbasedontheunspokenassumptionthatMfrican－Americanfilmscanneverbevehiclesofprestige，glamour，orcelebrity。Therelationshipplayershaveconvincedthemselvesthatblackfilmscandoonlyalimiteddomesticbusinessunderanycircumstanceandhavevirtuallynofor－eignboxofficepotential。Asexecutiveswhonowcontrolthefilmindustrygrewupinthosede－cadeswhentherewerefewblackimagesonthescreenandthosethatdidexistwereproducedbyfilm－makerswithlimitedknowledgeoftheblackcommunity，itislittlewonderthattheyavoidideologicalissues，andseektocontinuemakingfilmsthattheyarecomfortablewithbyavoidingtheynegativeimageryoffilmstheywouldprefertoeschewentirely。

AlsotoblameforthisdeleteriousphenomenonarelegionsofdesperateandMachiavellianAfrican－Americanfilmproducers，directors，andwriterswhowouldtransformTheBirthofANationintoablackmusicalaslongasitwouldprovidethemwithgainfulstudioemployment。Thesefilmmakersnotonlyperpetuatenegativestereotypesintheirfilms，buttheyalsoseasonthemwithasprinklingofAfrican－Americanauthenticity。Thissituationwouldbeonerousenough，giventheeconomicexploitationofthecommunityinvolved;unfortunatelythesefilmsalsovalidatethepathologiestheydepict。TheconstantprojectionoftheblackcommunityasakindofurbanWildKingdom，theglamorizationoftragicsituations，andthecelebrationofinner
citydrugdealersandgangstershasaprogrammingeffectonblackyouth。Thepowerofmusicin
filmisaparticularlyseductiveandpropagandisticforcewhichintherecentcropofAfrican－
Americanfilmshasrarelybeenusedinapositivesocialmanner。

发布者：ws2012

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